Julie Mehretu

June 20, 2013, 8:30am

Julie Mehretu’s LIMINAL SQUARED at Marian Goodman Gallery

The artist Julie Mehretu has often commented that “trying to figure out who I am and my work is trying to understand systems.” In a new body of work on view at Marian Goodman Gallery in New York, it is equally her desire to understand systems and their disintegration that becomes the subject of her art.

Listed under: New York, Review

July 27, 2012, 8:30am

Who is the most significant painter to emerge since 2000? (Poll)

So you don’t believe in miracles? Think about this: Painting has been pronounced clinically dead dozens of times, and, like Lazarus, it keeps coming back for more. It is the medium that simply refuses to die.

The 1990s were a tough decade for painting, as video, installation, and, in particular, photography, relegated it to the margins of the art world’s often too narrow field of vision. But as the 2000s began, the oldest of mediums returned with a vengeance. Impressively, it has continued to be the dominant medium for more than a decade, first with an explosion of figurative work in the early 2000s, and now with an extreme focus on abstraction.

Listed under: Poll

February 22, 2011, 1:31pm

Variations in Abstraction: Mehretu, Gonzales, and Lethbridge at John Bergguen

Julian Lethbridge, NYT, 2010 | Oil and paint stick on canvas, 70 x 56 inches. Courtesy John Berggruen Gallery, San Francisco.

Listed under: Art World

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