Season

August 31, 2015, 9:59am

Endless Summer: Prolonged Moments Among SEASON Gallery’s Paintings

A few weeks ago, I was lying out with a friend, beside a massive swimming pool, in the 108-degree heat of Las Vegas. The unrelenting desert sun splayed its dense rays over our skin with more thickness than the sunscreen we had put on in vain. Sweat came without the slightest movement. Our phones had gone black and refused to function. Yet, we stayed there for hours. Sometimes we slept, sometimes we swam, but mostly we just lay there, watching the stillness of the palm trees and of the people standing in the pool, lingering in a prolonged state of thought. I thought of that heat-induced slowness and its heightened state of perception when I was back in Seattle a week later, walking through two shows by SEASON. – Erin Langner, Seattle contributor


Slow Enhancers installation view, including Seth David Friedman, FORTHELIVEDEVIL, 2011, Carrara marble, and Dawn Cerny, Anaheim, 2015, Gouache on Silkscreen. Image courtesy of SEASON.

Listed under: Review

July 30, 2014, 8:30am

Storied Surfaces: Philip Miner’s Dark All Over Europe

“You have to touch the paintings,” Robert Yoder, owner of Seattle’s SEASON gallery suddenly insisted, as he, artist Philip Miner and I stood beside a set of five canvases included in Miner’s new show, Dark All Over Europe; the artist stopped his train of thought to emphatically agree. Titled One by Four & Four Minus One or Two, Maybe More, the acrylic and flashe paintings in question stood side by side, in a tight row, coated with a texture that looked like a literal manifestation of blood and sand—speckled, saturated, and sticky. The surface that met my fingers, however, was the precise opposite. These paintings were so uniformly slick it was hard to believe they were made by a human hand.  While One by Four & Four Minus One or Two was unique in its need to be touched, each work in Dark All Over Europe had a story that started at its surface. — Erin Langner, Seattle contributor


Philip Miner | One by Four & Four Minus One or Two, Maybe More. 2014, acrylic and flashe on canvas, 20 X 16 inches. Image courtesy of the artist and SEASON.

Listed under: Review

July 29, 2013, 8:30am

Navigating The Mentholated Roads: Michael Ottersen at SEASON

There is something deceivingly friendly about Michael Ottersen’s paintings. The Seattle artist’s dense canvases pop with solid, inviting hues.  As pointed out by Robert Yoder, artist and owner of SEASON, where Ottersen’s show The (Mentholated) Roads Around Naples is on view, most of the canvas-spanning forms can be contorted into geometric faces. But then, there are the titles, which counter the initial straightforwardness with an esoteric sense of humor that reads as equal parts inside joke and non sequitur wordplays—Stinky Pinky/Wigwamery and Mary Krishna stand out among the more confounding.  This tug of war happens within each of the works, sucking you in at the first encounter and remaining stuck in your head long after. – Erin Langner, Seattle Contributor

Michael Ottersen, Mary Krishna, 2012, oil and acrylic on canvas, 64 x 48 in. Image courtesy of SEASON.

Listed under: Review

May 29, 2013, 8:30am

Rebuilding the Sublime: Peter Scherrer’s EVERYTHING RIGHT AND ANYWHERE NOW

“Getting out,” into the wilderness in western Washington is rarely a clean, easy experience; the nearly endless rainy season can act as a killjoy until the oversized ferns, mushroom patches and lush understories of its forests override the fact that you are standing in these pristine landscapes completely soaked. Bellingham artist Peter Scherrer’s dense, complicated paintings of the Pacific Northwest incorporate similar dynamics through their surfaces muddied with content, almost to point of deterrence (particularly when seen as reproductions).

Listed under: Review, Seattle

May 29, 2012, 8:26am

The Conversation: Robert Yoder & Ian Toms

This is the first in a series of discussions conducted between professionals - gallerists, collectors, curators, artists - who have some kind of connection or partnership that elicits conversation about practice, collaboration, or the business of art. Robert Yoder (NAP #7, #85) is a Seattle-based artist who has shown work internationally and is no stranger to New American Paintings. He runs a gallery called SEASON out of his mid-century home in the Ravenna neighborhood of Seattle.

Listed under: Seattle, The Conversation

December 01, 2011, 8:15am

When in Miami...

There are tons of great fairs and plenty of projects to check out while you're in Miami this year. Our staff and contributors wanted to give you the heads-up on a few things we think are definitely worth checking out. There are hundreds of other things we could have mentioned, but let's start here...Big thanks to Brian Fee, Erin Langner, and Alex Ebstein. Check out their recommendations after the jump! And be sure to tell us your recommendations in the comments section!

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