October 29, 2014, 8:46am
Being There Again and Again: Joy Garnett at Platform Gallery
Most of the time, as soon as I am awake, I begin scrolling through the layers of news on my phone, while still laying in bed. The ISIS updates, the new Ebola cases, and the pithy comments on the latest art world drama barely stick during this first round of skimming headlines and images, my awareness of the day coming into focus as I work through the tweets and the “Likes.” This activity would seem to have little to do with the meticulous, studied ways we usually interact with paintings. However, Brooklyn artist Joy Garnett proves otherwise, as evidenced by her new show, Being There, which opened at Seattle’s Platform Gallery last week. Pulling images from the media—including photographs of conflicts in the Middle East and screen grabs of leaked US military videos—Garnett’s new paintings bleed and blur their scenes into places that seem as familiar as the widely-disseminated photographs they reference. However, the artist also brings out the distant, fleeting way we absorb these images, turning their subjects into things we can never fully know. —Erin Langner, Seattle contributor
Joy Garnett | Standoff, 2013, oil on canvas, 38 x 44 inches. Image courtesy of Platform Gallery.
June 06, 2014, 8:30am
Prefab Paintings: William Powhida’s Unretrospective
“ANYTHING can be ’editioned.’ Repetition is your friend.” This is one of the rules in William Powhida’s The Rules, which itself an edition of sorts. Referred to by the artist as a “republication,” The Rules is an oil painting that was made by an employee of painting village in Shenzhen, China, based on a JPEG image depicting the Brooklyn artist’s text-based drawing of the same title. This republication is available in three sizes and can be purchased through the artist’s website, for the duration of his show at Platform Gallery, Unretrospective, along with any JPEG that can be found on the site. In effect, Powhida has created a space where anything really can be editioned, and repetition is your—or at least your wallet’s—friend.— Erin Langner, Seattle contributor
William Powhida | WHAT CAN THE Art World TEACH YOU?, 2014 (republication)
oil on canvas. Image courtesy of Platform Gallery.
January 12, 2014, 9:40pm
False Lanterns and Dark Entries: Robert Yoder at Platform Gallery
I was not familiar with the term “hobby lantern” prior to seeing Robert Yoder’s (NAP #85) new paintings. It turns out to be a phenomenon of atmospheric, apparition-like lights that appear in boggy conditions, leading travelers astray from the safest path, also known as a will-o’-the-wisp. Appearing in titles of works featured in Dark Entries at Seattle’s Platform Gallery this month, the hobby lantern is a fitting keystone for paintings rich in both the thick, muddiness of their surfaces and the emotional sensibilities that flare beneath. - Erin Langner, Seattle Contributor
Robert Yoder | TEENAGE DONNA (HOBBY LANTERN 1), 2013, oil and acrylic on cotton bandana. 18 x 17.5 inches. Image courtesy of Platform Gallery.
September 30, 2013, 8:00am
Disappearing Act: Jaq Chartier’s Climate-Changing Paintings
Jaq Chartier’s (NAP #13, #31, #61) paintings like to pose as objects other than paintings. The Seattle artist and cofounder of Aqua Art Miami is best known for Testing, an ongoing that physically experiments with her materials and processes. Chartier integrates paint with saturated inks, stains and dyes she designs to evolve over time, creating large, hyper-saturated canvases that pulse with patterns and forms that reference the imagery of contemporary science—DNA strands, glass slides, microbodies— and ultimately behave as visual experiments themselves. - Erin Langner, Seattle Contributor
Jaq Chartier | Lettuce Coral, 2013, acrylic, stains, paint on wood panel, 28 x 36 inches. Image courtesy of the artist and Platform Gallery.
May 30, 2012, 8:25am
Comingled Encounters: Artist Relationships at SEASON
Artist Robert Yoder’s gallery, known simply as SEASON, resides on a wide thoroughfare between two north Seattle neighborhoods, somewhere between a deli and a city park. One of several residential spaces appearing in disparate corners of the post-recession city as other spaces downsized or faded away, SEASON fills not only a gap in available spaces for artists to show work but also creates a distinct venue for relationships between artists to manifest. - Erin Langner, Seattle Contributor
May 29, 2012, 8:26am
The Conversation: Robert Yoder & Ian Toms
This is the first in a series of discussions conducted between professionals - gallerists, collectors, curators, artists - who have some kind of connection or partnership that elicits conversation about practice, collaboration, or the business of art. Robert Yoder (NAP #7, #85) is a Seattle-based artist who has shown work internationally and is no stranger to New American Paintings. He runs a gallery called SEASON out of his mid-century home in the Ravenna neighborhood of Seattle.
October 24, 2011, 8:30am
Cinematic Curiosities: Patte Loper’s Still Point of the Returning World
The small row of Patte Loper’s modest, handcrafted sculptures from new exhibition Still Point of the Returning World discretely lines a pedestal in the back of Seattle’s Platform Gallery. Untitled (Leipzig) resembles an awkward architectural model of stacked boxes, covered by a bulbous sheet; the nearby funnel created from sticks and cardboard strips stands stagnant in space, like a film prop without a set. Within the surrounding paintings, however, these foreign sculptural objects explode into complex cornerstones of the artist’s fantastical, painted environments.
October 11, 2011, 9:00am
Building a Form for Space: Dirk Park Discusses Prole Drift Gallery
Prole Drift stands within an older mixed-use building, angled between the top and bottom of a steep hill in Seattle’s International District. Much in the same way its name references a connection between the upper and the working classes, Dirk Park’s new venue inhabits a space of intersection somewhere between a traditional gallery, a studio and an open place for artistic experimentation.
- Art Fairs
- Art Market
- Art World
- Artists on Artists
- Behind the Scenes
- By the Book
- Curator Watch List
- Gallerist at Home
- Heart to Art
- In the Studio
- Kansas City
- Los Angeles
- Moving Up
- Museum Admission
- NAP Artists on View
- NAP News
- New Jersey
- New York
- On the Road
- One of a Kind
- Other Voices
- Pacific Coast
- Process Of A Painting
- San Francisco
- Santa Fe
- Sneak Peeks
- Special Offers
- Studio Visit
- The Conversation
- Unlocking The Vault
- We've Got One Question
- Weekly Recap
- What's the Deal?