December 01, 2017, 9:11am
I have said it before, but one of my greatest joys these days is watching the careers of artists featured in New American Paintings explode. Working with curators, we review the work of more than 6000 artists every year and try to identify those who are exceptional. We take this job VERY seriously.
The way the art world is structured these days, there is, perhaps, no bigger stage to present your work than Art Basel Miami. Thousands of art lovers attend each year and just about every major collector and curator from around the world is there. There are at least two-dozen of our alumni on view this year, which is extraordinary. Some of these artists, such as Jordan Casteel and Loie Hollowell, have gained international attention just in the past twelve months. If you receive New American Paintings, as hundreds of collectors and curators do, you would have discovered their work before they entered the gallery system. Join us. – Steven Zevitas, Publisher
November 23, 2015, 9:18am
When I walked into Brenna Youngblood’s (NAP #103) abstracted realities, at the Seattle Art Museum, I thought this would be a show about its painted subjects. The eight works’ contents—an oversized “x”, a confetti of dollar-bill signs, a dripping map, a Chuck Taylor sole atop a pyramid—held so much depth on their own. Knowing her also to be an artist whose practice extends to mediums rooted in physical objects, including sculpture, collage, assemblage, and photography, objects at first seemed to be the heart of the matters here. — Erin Langner, Seattle Contributor