June 13, 2016, 9:18am
There is a deeply committed sense of play in the work of SCUBA, the collective duo of Santa Fe-based artists Sandra Wang and Crockett Bodelson. When they relocated from San Francisco to New Mexico in 2011 they brought with them a collaborative approach and a performative way of engaging an audience with a kind of daring, sweet audacity reminiscent of Claes Oldenburg's 1961 installation The Store in the Lower East Side of Manhattan. The SCUBA duo melds retail and pure installation seamlessly, finding alternative solutions for showing art, an approach inspired as much by the accessibility as the performative nature of the mobile/pop-up gallery trend. – Diana Gaston, New Mexico Contributor
February 19, 2014, 6:30pm
The Tamarind Institute was founded in 1960 by June Wayne with the intent of revitalizing and elevating the status of lithography in the U.S.; It moved to Albuquerque in 1970 where it became affiliated with the University of New Mexico. With a strong focus on research, education, collaborative exchange and experimentation, Tamarind has undeniably changed the course of lithography through its 54 years of operation.
Fresh off a couple of high-profile exhibitions at Susan Vielmetter in Los Angeles and DUVE Berlin, New York-based painter Hayal Pozanti made a brief stop in Albuquerque in late-January for a week-long printmaking residency at the Tamarind Institute. Her efforts resulted in several monotypes and two lithographs that will be editioned later this spring. During her visit, we had the opportunity to talk about her experience at Tamarind as her first foray into lithography. – Claude Smith, Albuquerque/Santa Fe Contributor