July 16, 2015, 9:01am
In David Salle’s solo museum show at the Dallas Contemporary, Salle owns his art world persona. His works playfully lure in the viewer only to smoothly transition into a seriousness that could only come from years of knowing the ropes (quite literally, in two paintings he has attached a velvet rope). The paintings are easy to enjoy and showcase Salle’s ability to carve out figures with subtle washes and delicate line while excavating Painting’s history. The images in the work are perfectly timed and slyly hilarious. – Arthur Peña, Dallas Contributor
May 07, 2015, 8:47am
Michaël Borremans US premiere of his survey show As sweet as it gets brings together 50 paintings, 40 drawings and 5 films from the last fifteen years. The show opened at the Dallas Museum of Art and was organized by Jeffrey Grove, the Museum’s Senior Curator of Special Projects & Research, who worked closely with Borremans to showcase this impressive body of work. The films in the show function to establish their importance to Borremans process of culling frames from moving images but the films also maintain an independence all of their own. The most effective film piece, The German, showcases an enclosed diorama which houses miniature figures standing in front of a stories tall (in terms of scale to the miniatures) screen that features a man’s face speaking.
The work expertly showcases Borremans imagination and most importantly his acute sense of scale that is also present in his drawings which exploit scale to depict grandiose ideas and scenes in a restrictive size.
Michaël Borremans | A Mae West Experience, 2002, Pencil, watercolor on paper, 6 13/32 x 8 in. (16.3 x 20.3 cm), Private Collection, Belgium, Courtesy Zeno X Gallery Antwerp © Photographer Felix Tirry ©Michaël Borremans