Eric Elliott

January 22, 2013, 8:30am

In The Studio: Pairings with Eric Elliott

Eric Elliott's fourth solo exhibit at James Harris Gallery, called Pairings, shows a body of work getting much muckier. And the muck is getting more colorful. Paint, slowly and painstakingly built up in daubs, nearly curls off the canvas like calcified petals, resembling the flora with which he is obsessed. (His botanical illustrations fill notebooks scattered around his studio; dried bouquets languish in vases.) Elliott’s fascination with rendering the representational abstract is consistently apparent in his work: the subject of his paintings is sometimes legible, sometimes it spastically dissolves. Pairings takes this study of abstraction to a dialogic place.

Listed under: In the Studio, Interview, Q&A

April 19, 2012, 8:30am

See-Through Fantasies: Mirage at James Harris Gallery

The concept of the mirage is one of intrigue, as evidenced by pop culture’s frequent attempts to define its mystery. A floating desert oasis memorably deceives Daffy Duck into inhaling a mouthful of sand  (“Aqua Duck,” 1963), while Steve Wynn’s Mirage casino enchants Las Vegas visitors with its lush terrarium and waterfall-lined swimming pools.  Within the context of such widely known references, the question of how the mirage can function within a painting is an interesting one posed by James Harris Gallery’s group show focused on this theme.  –Erin Langner, Seattle Contributor

Listed under: Review, Seattle

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