This recent body of work was inspired by my ongoing interest in peoplesí complex perceptions of the natural world. I am intrigued with my own dramatic and fantastical expectations of nature, and I question the degree to which one can be informed and misinformed via wild representations.

 My creative efforts focus on activating the boundaries of optical experience, digging into the relationship between perception and the limitations of memory. I cultivate a veiled, inscrutable aesthetic to accentuate nuance and destabilize apprehension.