112

112

Skylar Fein

This is my first, flawed attempt to describe a situation. Level your
best arguments at it; if the ideas are bad, they should fall. But
keep the vast drugstore of calmatives, along with the dusty tinsel
and tattered flags of your broken world. This is not a phase but a
new age. You can keep the past. We’ll take the future.

Dave Eassa

When all else fails, find the Sun.
A small act that keeps the wheels turning.

112

Clayton V. Colvin

“Experience in the degree in which it is experience is heightened vitality. Instead of signifying being shut up within one’s private feelings and sensations, it signifies active and alert commerce with the world; at its height it signifies complete interpenetration of the self and the world of objects and events. Instead of signifying surrender to caprice and disorder, it affords our sole demonstration of a stability that is not stagnation but is rhythmic and developing. Because experience is the fulfillment of an organism in its struggles and achievements in a world of

Eric Cagley

I make paintings based on contemporary mythologies. Mining the proliferation of images on the Internet, I select those that are rooted in spirituality, competition, masculinity, and patriotism. I grew up in a digitally filtered culture with an overwhelming fear of failure brought on by idealized imagery. The Internet, movies, video games, and cable television are my outlet, allowing me to vicariously experience everything I was too timid to try for myself. These paintings are pathetically immortalized stand-ins for all the things I never did or could ever do.

Malina Busch

My artwork is informed by the shifting and temporal nature of my surroundings and the traces that are left as time passes. Specifically, I am interested in moments and sensations that are not fully understood because they are so fleetingly glimpsed or experienced.

Amanda Brazier

My work explores man’s elemental interaction with his environment, particularly in the measured way he builds and inhabits shelter. Influenced by the forms and materials of primitive earth dwellings, my visual language is grounded in architecture and repetition. Like the building process, the paintings develop through stacking, weaving, and assembling simple forms. In addition to referencing the physical structure of a home, the textures and patterning of the paintings suggest woven cloths or quilts, also symbols of protection and comfort. I make paint from

100

Pages