One of our favorite fairs is Untitled Art. The tent is always beautiful, with a transparent roof (providing nice, even light) and views of the beach. The layout is interesting, ignoring the conventional aisle and row system. And the curation is right on with great galleries and works. Tomorrow I'm posting some shots of Art Miami. In the meantime, enjoy scenes from this year's Untitled Art fair! - Andrew Katz, Associate Publisher

All photographs by Andrew Katz.

It's that time of year, again...Back to Miami to get our annual fix of great art and beautiful weather (we live in Boston, after all). Let's start things off right with scenes from Art Basel. It was noticeably quiet during the Vernissage, but there were reports of big crowds during public hours. Expect more highlights throughout the week from Scope, NADA, Pulse, and Untitled. Enjoy! - Andrew Katz, Associate Publisher

All photographs by Andrew Katz

Multimedia artist Rebecca Farr’s fourth solo show Out of Nothing welcomes viewers into a personal journey and emotional recovery as she uses monumental oil paintings and sculptural installations to explore the process and aftermath of losing her father.

This deeply intimate work is touching, moving, and beautifully real. During the weeks following a divisive election, many Americans are left lost, angry, and vulnerable, in need of soul searching and nurturing — and Farr’s exhibit offers a safe space for both. – Ellen C. Caldwell, Los Angeles Contributor

Rebecca Farr | Out of Nothing, installation view | 2016 | Courtesy of Klowden Mann.

We all know there is power in looking. What we should be looking at, right now, are the truths that are difficult to face. The truths of what it means to be an “Other” in America. What it means to be a black American or a Mexican American or a female American. What it means to live in a culture that labels you as “different.” The exhibition “30 Americans” at Tacoma Art Museum offers just such an opportunity for looking. – Lauren Gallow, Seattle Contributor

Rashid Johnson | The New Negro Escapist Social and Athletic Club (Thurgood), 2008. Lambda print, ed. 2/5. Courtesy of the Rubell Family Collection.

Kristen Dodge is not just one of my favorite art world people, she is one of my favorite people, period. In a business replete with elusive characters, Dodge is a rare straight shooter. (She is also rare in that she combines a deep knowledge of art with deadly business acumen.) In late 2010, after a number of years in Boston, she opened Dodge Gallery in New York’s Lower East Side and did what she does best: aggressively advocated for the artists and ideas that she passionately believes in. The gallery was open for four years, at which point Dodge decided she needed a break from the art world’s frenetic pace and rapidly shifting landscape. She and her husband, artist Darren Foote, moved to Upstate New York where they embraced a very different lifestyle.

Now, just over two years later, Dodge is back, and I think the art world is the better for it. Her recently opened space in Hudson, NY, September, has already gained a lot of attention. I wanted to know what brought her back into the “game.” – Steven Zevitas, Publisher

We're happy to be a sponsor and participant of the stARTup Art Fair Chicago. The core mission of stARTup Art Fair is to provide a professional exhibition venue for independent artists -- artists who do not have a formal agreement with a commercial gallery. With their venerable Selection Committee made up of a diverse range of art world professionals, stARTup Art Fair Chicago aims to generate the dynamism and excitement of 30+ vetted, solo or two-person exhibitions for one glorious and stimulating 3-day weekend.

Our booth will feature 5 past featured New American Paintings artists including, Leslie Baum (NAP #47, #59, #119), Alex Bradley Cohen (NAP #113), Mel Cook (NAP #125), Celeste Rapone (NAP #105, #125, and Allison Reimus (NAP #88, #113, #125).

Allison Reimus | Do I Look Pretty?, textiles, oil, cement, and spray paint on canvas, 2016, 14 x 16 in.

Those unfamiliar with the work of Deb Sokolow (NAP #41, 107, 119) might be surprised to find studio walls plastered with images of Kim Jong-un, conspicuously undetailed renderings of David Copperfield’s brain, paper models of Frank Lloyd Wright buildings, as well as diagrams dissecting the psychological motivations of our country’s most notorious politicians. And over the past decade she has found excuses to cook up an impressive collection of home-brewed conspiracy theories that cover everything from subterranean pirate tunnels to coded messages in your McRib. Though while she has earned a reputation for drawing on eclectic source material, the most surprising thing about her work is its ability to synthesize all of it into something that’s not only visually cohesive, but as immediately compelling as anything in the National Enquirer.

Between exhibitions in Washington DC, Indianapolis, as well as New American Painting’s Midwest Edition show and another coming up at Chicago’s Western Exhibitions on September 17^th, she has certainly kept herself busy in 2016, making it the perfect time to check and learn a bit more about what goes into her work. – Brad Fiore, Chicago Contributor

Deb Sokolow | Various notes and studies, 2016

Pow! Wow! Long Beach, a contemporary art festival, recently took over Long Beach, California — both in and off the streets. Pow! Wow!’s distinct gatherings take place internationally throughout the year with events expanding to Taiwan, Israel, Jamaica, Washington D.C., Singapore, Germany, and Guam — to name a few.

Founded by Jasper Wong, the festival’s inception and inaugural Pow! Wow! gathering began as a week long festival in Hawai’i. During these events, muralists take over the city, where they can be seen working on the murals from start to finish throughout the week. Additionally in July, the Long Beach Museum of Art (LBMA) featured an accompanying exhibit Vitality & Verve in the Third Dimension. - Ellen C. Caldwell, Los Angeles Contributor

Andrew Hem, Edwin Ushiro, and Yoskay Yamamoto Mural for Pow! Wow! Long Beach, Steelhead Coffee, Photographed by Brandon Shigeta, 2016.

Debra Scacco creates rich, multimedia pieces that play with light, reflections, shadows, walls, and borders. Her 2015-2016 solo show The Letting Go at Klowden Mann was full of works on paper, paintings, and more sculptural installation pieces that reference and play off of nature and geography in aesthetically pleasing and deeply profound ways. – Ellen Caldwell, Los Angeles Contributor

Debra Scacco, Installation view of “The Letting Go” at Klowden Mann, 2015.

The monsoon season is late in coming this summer, but the rains are finally upon us. Scott Greene (NAP # 18, #30, #54, #66, #78, #96, #108) has been imagining this deluge for some months, as he works on a large painting in his studio just north of ABQ. His work is shown with regular frequency in San Francisco, to the point where it might be easy to think of him as a Bay Area artist, but he has been rooted in New Mexico since completing his MFA in painting from the University of New Mexico. – Diana Gaston, New Mexico Contributor

Scott Greene | Deluge (work in progress)