It is easy for description to take over in a drawing or painting—and I think that might be true in life too. I paint so that material facts, processes, and descriptive information can bounce back and forth to form an experience that is not just a collection of mostly well-behaved actions that, no matter how expressive, ultimately deliver specific content. Instead, I hope for a range of perceptual and psychological features that create experiences based on the way these characteristics vibrate with each other.