I start with a picture taken out of a moving car window. What prompts a photo is something ubiquitous in the common landscape that has a palpable, prelingual familiarity. I attempt to isolate within this what is indeterminate and open, by cropping, abstracting, and considering both the ground and grounding of the image. I have worked toward situating this grounding in movement, pause, the incomplete picture, and fragments of a larger frame. What is and what is potentiated.