Nick Van Woert

November 07, 2011, 9:46am

Historical Lineage: Q&A with Matthew Craven

Much of Matthew Craven’s meticulous work exists as both colorful abstraction and surreal historical document. His transformation of  images appropriated from history textbooks nudge and reconfigure the original historical narratives. And his modular treatment of familiar forms unexpectedly activates their hidden potential for abstraction. Painting, drawing, collage and installation are linked in Craven’s practice through his fastidiously precise lines, which run across works and from project to project.

Listed under: DC, New York, Q&A

May 05, 2011, 12:35pm

The Shape Of Things To Come

TOP: Tracy Thomason (left) and Stacy Fisher (right), BOTTOM: Maria Walker. Installation views, The Shape Of Things To Come at NUDASHANK, Baltimore.

Listed under: Art World, DC

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