December 05, 2015, 2:15pm
I made it over to Wynwood to see Art Miami...Hope you like these highlights! If you click on the image it should open a full size view, which I encourage. - Andrew Katz, Associate Publisher
December 05, 2015, 4:16pm
Overall, Pulse has consistently been one of my favorite fairs. There are always high quality galleries and artworks, and the space is pleasant and bright. I dig the ocean views too! - Andrew Katz, Associate Publisher
December 02, 2015, 5:45pm
Always good to be back in Miami! I'll be posting some of my highlights for each fair over the next few days. If you couldn't make it, hopefully this will help you get your fill..Enjoy! Andrew Katz, Associate Publisher
Be sure to click on the images for full view!
November 23, 2015, 11:10am
We put together a comprehensive list of the fairs during Art Basel, Miami Beach. See you there?
Photo by Andrew Katz, New American Paintings
December 3 - 6
Miami Convention Center
Thursday, December 3rd, 3pm - 8pm
Friday, December 4th, 12pm - 8pm
Saturday, December 5th, 12pm - 8pm
Sunday, December 6th, 12am - 6pm
August 01, 2015, 9:14am
No one knew what to expect from the Seattle Art Fair. We barely knew to expect it at all. This may have been due, in part, to the absence of any significant art fair in the region since the 1990s. Most us in the Seattle arts community were still holding our collective breath just several months before now, when none of the local galleries that applied for a booth knew of their acceptance status. — Erin Langner, Seattle contributor
January 05, 2015, 1:25pm
On the occasion of the Museum of Modern Art’s show, The Forever Now: Contemporary Painting in an Atemporal World, New Yorker art critic Peter Schjeldahl recently wrote of painting being in a state of crisis. In response to the show comprised of painters whose “approach characterizes our cultural moment at the beginning of the new millennium,” according to MOMA’s website, Schjeldahl rejects the medium’s outright death. Still unoptimistic, he concludes, “Painting can bleed now, but it cannot heal.”
As someone who has spent a lot of time with paintings over the last few years, I had to stop to consider whether I agreed: are the paintings I have encountered bleeding? In trying to answer, I found myself making my list of the five shows that made me think the most about the state of painting this year—its physicality, its lasting presence, and its bloodshed. — Erin Langner, Seattle Contributor
December 19, 2014, 9:45am
Everyone's doing it, right? Over the next few weeks, some of the NAP/Blog contributors will share their favorite shows of 2015. First up, Associate Publisher, Andrew Katz...Enjoy!
I was able to travel a bit this year, so fortunately I could expand my art viewing to a few other cities. I categorized my selections to make things a little more interesting. Don't worry, Boston, you are still well represented! So many shows to consider, and almost impossible to narrow things down, so this year I focused on exhibitions that gave me a memorable overall experience.
If you saw any of these shows, I know you were equally as impressed. And if you didn't, I encourage you to look into the artists a little more. You'll like what you see. - Andrew Katz, Associate Publisher
December 15, 2014, 3:36pm
As I write this, it has been a busy couple of weeks for the medium of painting. I just returned from my annual trip to art world summer camp, aka Art Basel Miami Beach, where thousands of art-hungry viewers were inundated with paintings of every conceivable scale, media, and subject matter. Some were good, some were bad, many were derivative, and most will be forgotten before the decade ends. On the heels of the various fairs closing, critic and curator Christian Viveros-Faune unleashed a caustic and much passed-around article about art fairs and their negative effect on the type of art currently being produced. He specifically targeted what he calls Zombie Painting, which he identifies as a bland and toothless sort of abstraction that seems to be all the rage. (Jerry Saltz has been beating this same drum for quite a while.)
Meanwhile, in the high temple of modernism––New York’s Museum of Modern Art––curator and past New American Paintings juror Laura Hoptman has just opened The Forever Now: Contemporary Painting in an Atemporal World. The exhibition features the work of seventeen painters, including Joe Bradley, Matt Connors, Mark Grotjahn, and the young and controversial phenom Oscar Murillo, and is the institution’s first serious group show on painting in a number of years. Most of the artists in this show are art market favorites, so stay tuned as the critical writing on this exhibition is sure to be a roller coaster ride. - Steven Zevitas, Editor & Publisher, New American Paintings
December 03, 2014, 9:52am
The art market is really a miracle of evolution…it is a machine…and all this machine does is swim and eat and make little sharks. Like a shark, if it stops moving forward it will quickly die. To prevent this from happening, the art market has become exceedingly good at generating and packaging the next best thing. In the old days critics and curators thought long and hard about visual culture and classified periods of time and groups of artists accordingly. These days things are moving much too quickly. We used to think in terms of –isms, but now we become briefly aware of trends.
At any given time there are numerous trends flowing through the art world. Of all the stakeholders, it is perhaps not surprising that dealers value their emergence the most. After all, there is great marketing leverage when an artist can be attached to something greater than his or her own individual practice. Collectors love trends to. It makes things super easy. Just look for something that people are excited about and buy anything that kind of looks like it. I see plenty of this in my art dealer life...these "collectors" typically have much better ears than eyes.
NICOLAS DESHAYES |Vein Section (or a cave painting), 2014, vitreous enamel on steel, powder-coated aluminum frame, 33 1/10 × 23 3/5 × 1 3/5 in, Courtesy of Jonathan Viner.
Of all the trends that will be on display in Miami this week, one strikes me as particularly pervasive: process-based painting. And one fair has more of it then any other: the ultra hip Nada Miami Art Fair. Even a cursory look at what treasures the fair will hold quickly reveals that an overwhelming amount work that belongs to the same family. Moreover, this work is spread across the stables of a wide swath of galleries. When looking at it, descriptives that come to mind include: abstract, anti-compositional, vintage, distant, cool, decorative, seductive, all-over, photographic, entropic, pattern, digital, repetitive, patina and processed. Artists that come to mind: Polke, Oehlen, Wool and Guyton.
There is no doubt that abstract painting has been the most exhibited art form over the past decade, and it has come in a variety of brands. Lately, there seem to be more and more artists who are defining their practice not so much with a specific subject or style, but by the way in which their work is made. Bleach, printing technologies, fire extinguishers, photographic chemicals, the sun and more have been deployed in the service of aesthetic advancement. The results are varied. Artists such as Hugh Scott Douglas and Sam Moyer, both of whom are on view at Miami Basel, are making substantial work and truly pushing the discourse forward. Many others are finding their way.
For those of you in Miami this week i will be curious to hear what you think. Are we witnessing the birth of Process-ism, or simply being offered this season’s hottest trend? - Steven Zevitas, Publisher
November 30, 2014, 12:02pm
It is Miami time again. I spent the last few weeks prepping for my own gallery’s presentation (UNTITLED, Booth #A04), and finally had a chance to peruse what is happening at the various fairs that will be scattered throughout the city. At the top of the heap is, of course, the fair that started them all: Art Basel Miami Beach. Over the next few days, two hundred and fifty + galleries representing thousands of artists will be busy installing their booths in preparation for next Wednesday’s Private Viewing. With the contemporary art market continuing to race along a break-neck speeds, all indications are that it will be another successful year for all involved.
I spent a few hours visiting various sites on-line to get the lay of the land. With very few exceptions I focused on emerging/mid-career artists…I mean, we all know what an Anish Kapoor looks like at this point. The list below is made up of artists and work that I am particularly excited to see next week. Enjoy the list. - Steven Zevitas, Publisher