March 14, 2017, 8:20am
This interview took place on the occasion of Bleckner’s solo show, “Find a peaceful place where you can make plans for the future” at the Dallas Contemporary.
September 10, 2013, 5:02pm
The monumental in one’s life is becoming less and less recognizable. When everything gets flattened, digitized and dispersed, how is one to determine what is truly remarkable from what is utterly banal? Yet still, what does it mean for an artist to recognize these parallel ideas in order to cull some sort of meaning from not only their medium but their whole damn life? More direct, at this point what role does painting play in the everyday? I didn’t intend for this introduction to have so many questions but the work of Hilary Doyle is full of existential pontifications and I can’t help but reflect that. Doyle’s work could not exist if it were not for the core question of not “Why am I here?” but rather “How do I know I am here?” Doyle’s recent solo show, Window Facing Inward, at NYC’s Active Space addresses this question and approaches notions of time, the everyday and the space in between yawn and awe. - Arthur Peña, Dallas Contributor
Hilary Doyle | Hand Drier, acrylic on canvas, 16” x 20”, 2013