Cable Griffith

August 31, 2015, 9:59am

Endless Summer: Prolonged Moments Among SEASON Gallery’s Paintings

A few weeks ago, I was lying out with a friend, beside a massive swimming pool, in the 108-degree heat of Las Vegas. The unrelenting desert sun splayed its dense rays over our skin with more thickness than the sunscreen we had put on in vain. Sweat came without the slightest movement. Our phones had gone black and refused to function. Yet, we stayed there for hours. Sometimes we slept, sometimes we swam, but mostly we just lay there, watching the stillness of the palm trees and of the people standing in the pool, lingering in a prolonged state of thought. I thought of that heat-induced slowness and its heightened state of perception when I was back in Seattle a week later, walking through two shows by SEASON. – Erin Langner, Seattle contributor

Slow Enhancers installation view, including Seth David Friedman, FORTHELIVEDEVIL, 2011, Carrara marble, and Dawn Cerny, Anaheim, 2015, Gouache on Silkscreen. Image courtesy of SEASON.

Listed under: Review

February 16, 2014, 6:44pm

The Quest of a Painterly World: Q and A with Cable Griffith

It is hard not to like Cable Griffith’s landscapes. They invite you into their fantastical scenes with a bright sense of familiarity that permeates the patterned, pixel-like worlds and is almost instantly recognizable from one of recent generations’ favorite past times—video games. Quest, the artist’s new show at G. Gibson Gallery in Seattle, continues the digitally-inspired lands for which the artist has become known, but buried beneath the solid, white clouds and systematized, geometric trees, a more serious pursuit reveals itself.  As Exhibitions Curator at Cornish College of the Arts, Griffith has an abundance of experiences and networks that parallel the complexity of the landscapes he builds.   I caught up with the artist to uncover more about Quest and to talk about an exhibition of northwest painter Robert C. Jones’s work on view at the gallery he oversees at Cornish. — Erin Langner, Seattle Contributor

Cable Griffith | Terra Terma, 2013, acrylic on canvas, 18 x 18 inches, image courtesy of G. Gibson Gallery.

Listed under: Interview